The Phoenician Scheme | Cannes Film Festival + Benicio Del Toro and Michael Cera

More from Movie Reviews

• How To Train Your Dragon | Lollipop | Ladybird Ladybird (1994)

  On Truth & Movies this week, we discuss the live action remake How To Train Your Dragon, and Daisy-May Hudson’s powerful fictional feature debut, Lollipop. Finally, for film club, we turn our attention to Ken Loach’s Ladybird Ladybird.

• Protein review – nasty, funny, soulful

  A gang of small-town drug dealing gym rats are set upon by a murderous stranger in this satisfying Welsh genre piece.

• Daisy-May Hudson: ‘I want to make films that crack people’s hearts open’

  The ambiguous and sometimes tragic nature of motherhood is the subject of writer/director Daisy-May Hudson’s forceful debut, Lollipop.

• The Dreamworld Aesthetic of 8½

  Through its visionary cinematography and costume design, Federico Fellini’s 1963 film masterfully blurs the lines between memory, reality and fantasy.

• How To Train Your Dragon review – never quite catches the updraft needed to soar to uncharted heights

  Dreamworks’ first foray into the world of live-action remakes is fairly unremarkable despite occasional sparks of magic.

• This Must Be the Place: A Queer East Correspondence

  In collaboration with the Queer East Film Festival, this year's Emerging Critics cohort offer their responses to the film programme.

• Lollipop review – a gut-punching debut

  Daisy-May Hudson’s impressive fiction debut lays bare the bureaucratic cycles a young woman has to face as she attempts to regain custody of her children.

• Tornado review – tries a bit too hard to be different

  John Maclean aims for Sergio Leone and Akira Kurosawa, but this 18th century samurai western leaves only a superficial impression.

• Introducing… La Dolce Vita: A Celebration of Italian Screen Style

  This summer we’re inviting you to indulge in a slice of the sweet life with Disaronno.

• Dangerous Animals | Ballerina | Zombie Flesh Eaters (1979)

  On Truth & Movies this week, we discuss Dangerous Animals and Ballerina, we speak to activist, photographer and filmmaker Misan Harriman about Shoot The People, a documentary about his work. David speaks to Steven Leckart - the director of Stans, about the fervent fandom of Eminem, and finally, for film club we revisit a video nasty with one hell of a shark scene in Zombie Flesh Eaters.

• The Encampments review – inspiring portrait of collective action

  Kei Pritsker and Michael T Workman chronicle the student movement for Palestine through the Gaza Solidarity Encampment at Columbia University.

• Falling Into Place review – Sally Rooney-core for the big screen

  Aylin Tezel writes, directs and stars alongside Chris Fulton in this meet-cute romantic drama set between London and the Isle of Skye.

• Dangerous Animals review – why sharks? They’re cinematic!

  Predators and prey share the same terrain in this psychologically twisted shark thriller from genre filmmaker Sean Byrne.

• Cannes Film Festival Debrief 2025

  On Truth & Movies this week, the LWLies team will be talking us through the biggest and best titles from the Cannes Film Festival this year.

• Bogancloch review – film and landscape are as one

  The lure of the Scottish wilderness was too much to resist as Ben Rivers returns there for his latest feature.

• The Ritual review – fails to scare, entertain or convert

  Al Pacino and Dan Stevens can't save this awful excuse for an exorcism thriller.

• Along Came Love review – an intimately epic love story

  Katell Quillévéré’s poetic French period drama is powered by an understated chemistry between Anaïs Demoustier and Vincent Lacoste.

• The Ballad Of Wallis Island review – relishes in daft physical comedy

  Comedian collaborators Tim Key and Tom Basden co-write and co-star in James Griffiths’ pleasant bromance flick.

• Resurrection – first-look review

  Bi Gan's third feature is an epic in every sense of the word, taking viewers on a sprawling odyssey through cinema.

• The Mastermind – first-look review

  An art theft spells disaster for Josh O'Connor in Kelly Reichardt's excellent Vietnam-era heist dramedy.